CSULB HEADSHOT LECTURE
HEADSHOTS THAT BOOK
How to build a headshot package that tells the industry where you fit.
@LNZYROSEPHOTO
THE LNZYROSEPHOTO HEADSHOT TEST
LNZYROSEPHOTO RULE #1
WHAT JOB DOES THIS PICTURE DO?
EVERY CHOICE WE MAKE TODAY COMES BACK TO THIS QUESTION.
WHY YOUR HEADSHOT MATTERS
BEFORE THE ROOM
Your photo may be what gets you invited in.IN THE ROOM
They expect the person they saw in the headshot to walk through the door.AFTER THE ROOM
You leave. Your picture stays.
YOUR HEADSHOT ISN’T SUPPOSED TO TELL SOMEONE EVERYTHING ABOUT YOU.
IT’S SUPPOSED TO MAKE THE RIGHT PERSON WANT TO KNOW MORE ABOUT YOU.
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Headshots are more important than you’d ever think!
Most dancers think that headshots are the way that the casting directors or choreographers remember them after seeing they dance or audition.
Turns out, it’s the opposite. According to most Agents and Casting Directors in the industry, the headshot is, unbeknownst to the dancer, the first part of the audition. Once you are in the room for the first time, it’s basically your call back. They are expecting you, the person they saw in the headshot to walk in the door.
This is Especially true for smaller castings. (which are usually bigger jobs)
Direct bookings for an ensemble cast for a tv show or movie can be just off of your headshot alone and not ever your dancing.
Even if you know the Choreographer personally, they still have to have something tangible to convince their higher ups to book you. How can they do that if you aren’t prepared with all of the content backing up your skills.
*Cattle call auditions work a tiny bit different, but your photo is just as important because in this scenario your headshot is what the Artist or Directors are seeing before the final call back. And it may determine their expectations of you.
Also it may be the thing that saves an audition that you botched. Your photo has the power to act as a safety net. Allowing you to have the confidence that even though you messed up the choreo, your photo stands out, it speaks for you, and can give all the people deciding on your fate outside of your control a reason to push for you.
You need the best representation of yourself to help casting, choreographers, and artists to get excited about you!
THINK ABOUT IT THIS WAY:
If you were on a dating app. Does this scenario sound like it would be a successful game plan?
“ I don’t need to upload any photos to my dating profile, I’ll just show them in person how great my personality is and when I leave the date, then I’ll give a photo of me so they remember how amazing I am”
You’re not going to get that date without a photo on your dating profile. By not having this photo, you’re holding yourself back more than you can imagine. But a good photo helps a stranger see you, paint an idea of who you are, and help you land a job.
Mentally, it can also help you with the confidence you need going into that date. And if the person on that date isn’t the one, you are confident you will have many more.
Your headshot isn't supposed to tell someone everything about you. It's supposed to make the right person want to know more.
LNZYROSEPHOTO RULE #2
HUMAN ←————————→ DANCER
OUR HEADSHOTS PACKAGE IS A SPECTRUM.
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The word Commercial means TV Commercial. Don’t confuse this with Commercial Artist. This is a common mistake. Think about who you see in ads that are served to you, TV shows you watch, and Movies you like. It’s your “Relatable Human in a Relatable City, anywhere USA” shot.
A Commercial headshot is you at your base. The version of you that throws on clothes to go run errands or meet up with friends. (Maybe more put together than “everyday” but it’s you at your everyday bare minimum.)
This shot is also super vague. It doesn’t sell a story of you. You can fit in a lot of boxes. You can be a wide age range. You can fit in with different groups of people. You are relatable to masses.
A casting that would use this shot may look like this:
“Looking for all gender and non gender identifying people anywhere from age 3 - 79. They need to be trained dancers. Everyone will be shopping in the store when an announcement is heard on the loudspeaker causing the whole store (workers, bosses, and shoppers) to start dancing with merchandise”
This shot should stand the test of time. And never feel like its has an element of style you won’t like in a year.
This is similar to the “Commercial look” except it does sell a story of you. You are telling casting who you are.
This is still a watered down version of you. But this is you at your base, and also in your comfort zone with your style.
This is a shot where you should consider yourself first, you aren’t trying to be anyone, you are trying to be a version of YOU that can be relatable anywhere in the country. So although you want to show style, always think when prepping your looks: “would Nancy in Ohio find me warm and inviting?” If it doesn’t seem “friendly” enough for Nancy, tone it down a little bit.
This shot can show glimpses of you, tattoos, some piercings, etc. Just don’t show off who you are.
A good way to think about this is:
“Is it too much for grandma?”
If it’s too much for grandma, it’s probably too much for Nancy in Ohio. So however you modify yourself so Grandma doesn’t feel concerned about you, that is the same modification you put on this stylized commercial shot.
This shot doesn’t need to stand the test of time. It should be updated as your personal style changes. So if you don’t have a vague commercial shot as well, plan on updating this one yearly because your style will change as well, and you don’t want it to look outdated.
Fitness is your Commercial shot in Athletic Clothing.
Fitness shots can mean fitness like NIKE, Adidas, Alo, Lululemon, Peloton, etc. But it also just means active or health conscious.
A LOT of brands lead with health and wellness. Even if you don’t consider yourself a “fit” person. You are active and that is what they want you to show here. The Athletic Version of yourself.
This is also a good shot if you need a Body Conscious Shot for Dance but don’t subscribe to those “Tour Looks” where it’s a lot of skin. This is just you in form fitting clothes. Something that shows your lines, even if you’re not showing a lot or anything.
You don’t need to be active in this shot. It’s not about fitness ability. It’s about “health”
This shot is for DANCE. It’s used more for actual dance auditions.
The “personal” part of this means that you are dressing for the job you want.
If this is for a Tour look. What tour do you want to book? Find dancers who are on that tour and see if you can find their headshots and they catered towards that artist.
Here are some ways you can think about it:
Are you an avant-garde dancer? or the Artist’s Artist? Show that. Show your personality through your clothes. This is great for Concert or Company dancers as well.
Do you want to be touring with a pop artist? what do they wear on stage. Katy Perry, K-pop groups, Doja Cat, Justin Bieber, Gaga, Black Pink, Ariana Grande, Justin Timberlake, Taylor Swift. These are some artists that have a Colorful or specific looks about their tours.
Do the research on how they dress, how their dancers dress, and find a way to style yourself in a way that feels similar.
This goes for any artist or any job you want to be booking that is more “on stage” or “live performances”. The Personal Style Tour look is YOU saying, “I am this job. I should be on stage with this Artist” but make it YOU.
Similarly to the Personal Style Commercial Headshot. Prepare to update this one the most, since your style and who you are as a dancer will change yearly. So when in doubt. Be more subtle with your style if you aren’t planning on updating your headshots regularly.
This look is all about you being your most grown up. But it’s also a little generic like the Commercial shot.
The objective here is to show your lines. Up your age. Wear dark clothes. etc.
It could be for any / every Artist or Show.
You want to keep this one as your timeless “doesn’t go out of style look” So think CLASSIC. It will stand the test of time ( 2-3 years)
You see a lot of Dancers in black leos or black clothing because it stands the test of time. Like your vague commercial shot does. It doesn’t say too much about you and your style. It won’t put you in a box or type cast you. But can be used for wide variety of grown up jobs.
You want to have at least 2 looks of yours that stand the test of time. (a few years) And those 2 looks should be bookends of each other. Your youngest look and your oldest look. (or Commercial and Tour) All the rest can be added and updated in between and more regularly.
LNZYROSEPHOTO RULE #3
THE FACE WINS.
YOUR FACE IS THE PRODUCT. EVERYTHING ELSE SUPPORTS IT.
Your pose. Your clothes. Your styling. Your movement. Your body.
They can help tell the story.
They shouldn't become the story.
LNZYROSEPHOTO RULE #4
YOUR BODY SPEAKS BEFORE YOU DO.
POSING CHANGES WHAT A PHOTOGRAPH SAYS ABOUT YOU.
CONFIDENT · RELAXED · YOUNG · MATURE · OPEN · GUARDED · POWERFUL · APPROACHABLE
NONE OF THEM ARE WRONG.
The question is: what are you trying to say?
POSING FOR COMMERCIAL SHOTS:
ARM PLACEMENTS:
HANDS ON HIPS = CONFIDENT
HANDS TO THE SIDE NOT DOING ANYTHING = DOESN’T SAY ANYTHING / READS CONFIDENT
CROSSED OR CLOSED OFF: TIMID / YOUNGER / SHY
HANDS IN POCKETS: RELAXED/ RELATABLE / HUMAN
THINGS TO NOTICE HERE:
MIDDLE PART VS. FLIPPED HAIR -
MIDDLE PART IS MORE EVERYDAY AND TOSSED OVER THE SIDE IS A LITTLE BIT FLIRTIER OR “GIRLIER” OR EVEN SEXIER IN SOME PHOTOS
HAND IN POCKETS AS A “HUMAN POSE” READS VERY “COOL AND EASY”
TRY NOT TO PUT YOUR WHOLE HAND IN YOUR POCKET. IT CUTS OFF LINES. TRY THUMBS IN POCKETS AND FINGERS OUT OR FINGERS IN AND THUMBS OUT FOR A MORE RELAXED VIBE.
CLOSED OF ARMS:
FIRST IMAGE: CLOSED OFF ARMS TEND TO READ YOUNGER OR MORE SHY
SECOND IMAGE: CROSSED ARMS CAN READ THE SAME AS THE FIRST IMAGE, BUT ALSO ADDS CHARACTER. SASSIER, MOODIER, A TAD BIT OLDER, LIKE AN OLDER SISTER
HUMAN, NOT DANCER.
For commercial shots, ask yourself: Would I naturally do this if a friend were taking my picture?
ARM AND ELBOW PLACEMENT
HOW THAT CAN DETERMINE FOCAL POINTS AND BODY SHAPE:
FACIALS / AND HOW IT CHANGES A PHOTO
NOTICING THE LEVELS OF FACE:
IMAGE 1: SMILING, WARM, AND RELATABLE. (WORKS AS A PLAIN COMMERCIAL SHOT.) DEMOGRAPHIC: ANY TOWN USA
IMAGE 2 : A LITTLE MORE “MASC” (BASED ON THE WAY THEY ARE SITTING) EASING US INTO A PERSONAL STYLE COMMERCIAL SHOT. DEMOGRAPHIC: BRANDS THAT PROBABLY BE TARGETED TO HER. NEWER BRANDS, MORE AWARE BRANDS, SUSTAINABLE BRANDS, ETC.
IMAGE 3 : GIVING FACE. THEY ARE PLEASANT. BUT ALMOST SHOWING OFF THE STYLE OF THEIR HAIR. THIS WOULD BE CONSIDERED MORE “PERSONAL STYLE COMMERCIAL” DEMOGRAPHIC: BRANDS THAT PROBABLY BE TARGETED TO HER. NEWER BRANDS, MORE AWARE BRANDS, SUSTAINABLE BRANDS, ETC.
IMAGE 4: MOODY. MAYBE ANNOYED. EMBRACING THEIR MASC SIDE MORE AND NOT AS RELATABLE TO EVERY BRAND AND EVERY TOWN USA. DEMOGRAPHIC: BRANDS THAT PROBABLY BE TARGETED TO HER. NEWER BRANDS, MORE AWARE BRANDS, SUSTAINABLE BRANDS, ETC.
IMAGE 5 : MORE THEATRICAL. A BIT MORE SERIOUS. CAN BE USED FOR MORE ACTING GIGS RATHER THAN JUST DANCE ROLES. FEELS MORE VAGUE THAN THE LAST FEW. BACK TO A VAGUE COMMERCIAL LOOK.
HANDS NEAR FACE
NOTE: IF YOU HAVE SHORT HAIR, THIS IS WHEN HANDS NEAR FACE LOOKS BEST
TIP: KEEP YOUR HANDS LIGHT AND SLOWLY MOVING TO INSURE A “REAL” HUMAN VIBE
LNZYROSEPHOTO RULE #5
YOUR STYLING TELLS A STORY.
WARDROBE, HAIR, LAYERS + DETAILS CHANGE WHAT THE PHOTO SAYS.
DRESS FOR THE JOB YOU WANT.
Ask yourself: What job does this version of me book?
HOW LAYERS MAKE A DIFFERENCE
JEN - INDUSTRY / CONCERT
IMAGE 1 : “VAGUE COMMERCIAL” - WE GET AN IDEA OF HER, BUT IN A TONED DOWN WAY. WE STILL CAN’T PUT HER IN A BOX.
IMAGE 2 : GETTING A LITTLE BIT MORE SPECIFIC. BUT SHE CAN STILL PLAY A RANGE OF HUMAN.
IMAGE 3 : “PERSONAL STYLE COMMERCIAL” - WE UNDERSTAND WHO THIS HUMAN IS AS A PERSON.
NOTE - JEN ARRIVED IN THIS SHIRT. I ENCOURAGED HER TO WEAR IT. SHE SAYS THIS SHIRT HAS BEEN A STAPLE IN HER LIFE FOR YEARS AND SHE WEARS THIS SHIRT WEEKLY. SHE ALSO FEELS LIKE ITS GOOD ON CAMERA SINCE SHE HAS DONE SUCCESSFUL VIDEO CASTINGS WITH THIS SHIRT ON. SO WE DECIDED THAT IT’S THE PERFECT BUTTON UP TO WEAR FOR HER HEADSHOTS AS WELL, BECAUSE IT’S EXACTLY WHAT HER PERSONAL STYLE IS.
CANYON - INDUSTRY / COMPANY / CONCERT
MICHAEL - INDUSTRY / TOUR
JESS - INDUSTRY
GLASSES VS. NO GLASSES
DANIELLE:
STRAIGHT HAIR VS. CURLY HAIR
SHANIE:
WHITE SHIRT VS. TANK TOP
IMAGE 1 : WHITE T-SHIRT / MORE EVERYDAY / LESS INTIMIDATING OR “SEXY” (PERSONAL STYLE COMMERCIAL)
IMAGE 2 : MORE SKIN / BETTER FOR TOURS OR SPECIFIC ROLLS (SPECIFIC DANCE JOBS / THEATRICAL / OR PERSONAL STYLE TOURS )
RUSSELL
WITH THE SHIRT UNDER: SAFE AND REACHABLE TO A WIDER AUDIENCE
WITHOUT THE SHIRT: STYLIZED AND PERSONAL. DEFINES HIM AS A HUMAN
JOE :
JACKET VS. NO JACKET
IMAGE 1 : CAN FIT IN ANY BOX
IMAGE 2: FEELS MORE SPECIFIC TO CASTING MAYBE IN THE GAP / LEVIS / COOL GUY BRANDS
SCRUFF VS. NO SCRUFF
JACK - INDUSTRY/CONCERT
IMAGE 1 : OLDER
IMAGE 2 : YOUNGER
FITNESS SHOT
JACKET VS. NO JACKET
HAIR UP VS. HAIR DOWN
STANDING VS. SITTING + JACKET VS. NO JACKET + HAIR HALF UP VS. ALL UP
“POP TOUR” (A SUBCATEGORY OF PERSONAL STYLE TOUR LOOKS)
POSING / HOW TO MAKE THE WHOLE “LOOK” WORK
NOTICE HOW EVERYONE IS REALLY IN THEIR OWN STYLES HERE, EVEN IF THEY ARE TECHNICALLY SIMILAR OR GOING OUT FOR SIMILAR ARTISTS.
NOTE : FULL BODY SHOTS AREN’T ALWAYS NECESSARY SO A WAY TO CAPTURE THE WHOLE LOOK IS TO SIT ON THE GROUND. THAT WAY YOUR FEET AREN’T TOO FAR FROM YOUR FACE. WHEREAS FULL BODY PUTS YOU AT A SLIGHT DISADVANTAGE BECAUSE YOUR FACE IS VERY FAR FROM THE CAMERA AND ON CASTING SITES, YOU MAY JUST NOT STAND OUT AS MUCH AS SOMEONE WHO HAS THEIR FACE CLOSER TO THE CAMERA.
ADDING LAYERS TO CHANGE UP YOUR TOUR LOOKS:
GRACE - INDUSTRY / LATIN
HAIR DOWN / HAIR UP WITH JACKET / HAIR UP WITHOUT JACKET / ON THE FLOOR
JOSH - INDUSTRY / CONCERT
FULL SUIT / CLOSE UP SUIT / SITTING SUIT / PLAYING WITH JACKET / NO JACKET / NO SHIRT
JACK - INDUSTRY / CONCERT
STANDING WITH JACKET / SITTING ON STOOL WITH JACKET / PLAYING WITH JACKET
POSING / STYLING / TIPS FOR GROWN TOUR LOOKS
THIGH HIGHS AND HOW THEY CAN WORK IN YOUR ADVANTAGE:
2 LOOKS FOR THE PRICE OF ONE:
FULL BODY ADDS THE BOOTS AND LITTLE SOMETHING EXTRA. WHILE CLOSE UP GIVES IT A TIMELESS HEELS VIBE
FULL BODY POSING AND WHAT IT SAYS ABOUT YOUR SHOT
SEATED POSING AND HOW TO MAKE THAT WORK FOR YOU AND YOUR OUTFIT:
LNZYROSEPHOTO RULE #6
YOUR HEADSHOT PACKAGE IS A TEAM.
EVERY PHOTO SHOULD DO A DIFFERENT JOB.
Your COMMERCIAL shot opens doors.
Your PS/COMMERCIAL shot adds specificity.
Your FITNESS shot shows physique.
Your PS/TOUR shot shows where you belong.
Your GROWN shot shows you on stage.
Your SPECIALTY shots fill in the gaps.
DON'T MAKE THE SAME PHOTO TWO/THREE/FOUR TIMES.
TWO LOOKS = TWO JOBS.
If two photos would be submitted for the exact same job, why do you need both?
EXAMPLES OF ONE PERSON AND THEIR DIFFERENT LOOKS
BRIDGET - INDUSTRY / COMPANY / CONCERT
BRANDON - INDUSTRY / CONCERT
3 LOOK PACKAGE - COMMERCIAL / FITNESS / EDGY / EDGY WITH HEELS
MAKEUP ARTIST: JADE - @JADEMOANIMUA
HUGH - INDUSTRY / MUSICAL THEATER
3 LOOK PACKAGE - COMMERCIAL YOUNG / COMMERCIAL GROWN / PERSONAL STYLE TOUR
MAKEUP ARTIST: JADE - @JADEMOANIMUA
MAX - INDUSTRY / CHOREOGRAPHER
3 LOOK PACKAGE - PERSONAL STYLE / TRENDY / BODY SHOT - TOUR
MALE GROOMING: LO - @STYLELVR
COCO WILLIAMS - CONCERT DANCER
2 LOOKS PACKAGE - COMMERCIAL / FITNESS *(FITNESS CAN BE USED FOR BODY SHOTS IF NEEDED)
MAKEUP ARTIST: JADE - @JADEMOANIMUA
RUDY - INDUSTRY / CHOREOGRAPHER
3 LOOK PACKAGE - COMMERCIAL / HIP HOP TOUR / EDGY TOUR
MAKEUP ARTIST: JADE - @JADEMOANIMUA
LNZYROSEPHOTO RULE #7
YOUR HEADSHOTS SHOULD EVOLVE WITH YOU.
YOUR FIRST PACKAGE ISN'T A FINAL ANSWER.
Put yourself into the industry. Pay attention to what responds. Learn what you're getting called in for — and what you're not.
THEN FILL THE GAPS.
Your headshots should grow with your career, not hold you to the person you were when you took them.
THE EVOLUTION OF MADDIE:
5 LOOK PACKAGE - DISNEY / FITNESS / COMMERCIAL / TRENDY COMMERCIAL / GROWN TOUR
MAKEUP ARTIST: LARKE - @MAKEUPBYLARKE / @ALOTTALARKE
LET’S LOOK AT HOW MADDIE EVOLVED WITH THE INDUSTRY - 3 YEARS LATER -
HONING IN ON WHERE THE INDUSTRY WAS GOING AND WHAT SHE WANTED TO BE BOOKING. * HER OLD PHOTOS ARE STILL BOOKING HER WORK, BUT BECAUSE SHE UNDERSTOOD WHAT AUDITIONS SHE WASN’T GETTING SHE FILLED THE GAPS WITH A MORE HUMAN SIDE OF HER, DEFINING WHO SHE ACTUALLY IS AS A PERSON. WHICH IS WHAT THE COMMERCIAL WORLD IS WANTING RIGHT NOW.
AND 1.5 YEARS AFTER THAT:
MAKEUP ARTIST: JADE - @JADEMOANIMUA
FRANK - INDUSTRY / CHOREOGRAPHER
3 LOOK PACKAGE - COMMERCIAL W/O FACIAL HAIR / COMMERCIAL WITH FACIAL HAIR AND DENIM LAYER / PERSONAL STYLE / TOUR
MAKEUP ARTIST: JADE - @JADEMOANIMUA
ANNIE - INDUSTRY/CONCERT
2 LOOK PACKAGE - COMMERCIAL / TOUR
MAKEUP ARTIST: ASIA - @asiacataldo
ROB RICH - INDUSTRY / TEACHER
ALL COMMERCIAL LOOKS
MAKEUP ARTIST & HAIR STYLIST: @_lizrich
B. GOSSE - INDUSTRY / CONCERT
3 LOOK PACKAGE - COMMERCIAL / PERSONAL STYLE / GROWN - TOUR
MAKEUP ARTIST: LARKE - @MAKEUPBYLARKE / @ALOTTALARKE
B.GOSSE: (4YRS LATER):
ASANTE - INDUSTRY
3 LOOK PACKAGE - COMMERCIAL / FITNESS / GROWN
MAKEUP ARTIST: LARKE - @MAKEUPBYLARKE / @ALOTTALARKE
NURI - INDUSTRY/CONCERT/ARTIST’S ARTIST
COMMERCIAL / PERSONAL STYLE TOUR BUT ALSO WORK FOR PERSONAL STYLE COMMERCIAL BECAUSE OF THE LIGHT MAKEUP / GROWN
FRIDA - BLOC
4 LOOK PACKAGE - COMMERCIAL / TRENDY COMMERCIAL / FITNESS / PERSONAL STYLE
MAKEUP ARTIST: LARKE - @MAKEUPBYLARKE / @ALOTTALARKE
WILL / WILLCONIQUE
COMMERCIAL / PERSONAL STYLE TOUR / DRAG (SPECIALTY ON RESUME)
LNZYROSEPHOTO RULE #8
YOU ARE THE BRAND.
YOUR JOB ISN'T TO LOOK LIKE EVERY OTHER DANCER.
Your headshots should make it easier for the industry to understand you.
Your style.
Your strengths.
Your specialties.
Your point of view.
INSPIRATION GIVES YOU DIRECTION. COPYING SOMEONE ELSE TAKES YOU AWAY FROM YOUR OWN.
BE RECOGNIZABLE. BE SPECIFIC. BE YOU.
THE LNZYROSEPHOTO HEADSHOT TEST
Before you choose a look, a pose, an outfit, or a final image, ask:
WHAT JOB DOES THIS PICTURE DO?
If you know the answer, the picture has a reason to exist.
CHLOE - INDUSTRY / FITNESS
4 LOOK PACKAGE - COMMERCIAL / FITNESS / EDGY GROWN / CLASSIC GROWN
KYLIE - PROFESSIONAL BALLERINA TURNED INDUSTRY
4 LOOK PACKAGE - COMMERCIAL / PERSONAL STYLE / GROWN / SPECIALTY
CANYON - INDUSTRY / CONCERT
COMMERCIAL 1 / COMMERCIAL PERSONAL STYLE / TOUR / GROWN
CARYN - INDUSTRY
4 LOOK PACKAGE - COMMERCIAL / POP TOUR / EDGY / GROWN
MAILE - ROCKETTE / INDUSTRY
4 LOOK PACKAGE - COMMERCIAL / POP TOUR / PERSONAL STYLE TOUR / CLASSIC GROWN
LET’S LOOK AT HOW MAILE UPDATED HER HEADSHOTS - 2 YEARS LATER -
CACIA - INDUSTRY / CONCERT
COMMERCIAL / PERSONAL STYLE COMMERCIAL / CONCERT AND TOUR LOOK
CACIA’S HOME POD COMMERCIAL
SIENA - INDUSTRY / CONCERT
SIENA’S HOMEGOODS NATIONAL COMMERCIAL
JACK - INDUSTRY
KATIE - INDUSTRY / MUSICAL THEATER
VIDEO: (BOTH) JACK AND KATIE IN THE MARVELOUS MRS. MAISEL’S 2023 EMMY NOMINATED PERFORMANCE
CHOREOGRAPHER: MARGUERITE DERRIKS
FELICIA - INDUSTRY
CHRISTINA - INDUSTRY
3 LOOK PACKAGE - COMMERCIAL / PERSONAL STYLE TOUR / GROWN TOUR
MAKEUP ARTIST: LARKE - @MAKEUPBYLARKE / @ALOTTALARKE
LEIGHA - INDUSTRY / FITNESS
4 LOOK PACKAGE - COMMERCIAL / FITNESS / PERSONAL STYLE TOUR / GROWN
MAKEUP ARTIST: LIZZY @LIZZY_LAWLESS
NICK - INDUSTRY / TV
4 DIFFERENT COMMERCIAL LOOKS (OR PERSONAL STYLE COMMERCIAL LOOKS)
LAINA - NYC INDUSTRY / CONCERT / TV
LAINA’S DUNKIN’ DONUTS COMMERCIAL:
DANI - INDUSTRY / VEGAS
4 LOOK PACKAGE - COMMERCIAL / PERSONAL STYLE TOUR / GROWN BODY SHOT / GROWN TOUR
MAKEUP ARTIST: LARKE - @MAKEUPBYLARKE / @ALOTTALARKE
NATALIE - INDUSTRY / FITNESS
4 LOOK PACKAGE - COMMERCIAL / TRENDY COMMERCIAL / SPORTY FITNESS/ GROWN
MAKEUP ARTIST: LARKE - @MAKEUPBYLARKE / @ALOTTALARKE
HARPER - INDUSTRY
2 LOOK PACKAGE - COMMERCIAL / PERSONAL STYLE TOUR
MAKEUP ARTIST: LARKE - @MAKEUPBYLARKE / @ALOTTALARKE
KLOII - FITNESS / DANCE / ACTING
3 LOOK PACKAGE - COMMERCIAL / FITNESS / FITNESS ( W/ A JACKET) / GROWN.
MAKEUP ARTIST: ASHANTA - @ashantaartistry
CASSIDY - INDUSTRY
3 LOOK PACKAGE - COMMERCIAL WITH JACKET / COMMERCIAL WITHOUT JACKET / FITNESS / PERSONAL STYLE TOUR
EFFIE - MSA
3 LOOK PACKAGE - COMMERCIAL / EDGY / GROWN
MAKEUP ARTIST: LARKE - @MAKEUPBYLARKE / @ALOTTALARKE
LILY - INDUSTRY
2 LOOK PACKAGE - COMMERCIAL / TOUR
MAKEUP ARTIST: JADE - @JADEMOANIMUA
CRISTI - INDUSTRY / FITNESS
4 LOOK PACKAGE - COMMERCIAL / FITNESS / EDGY TOUR / GROWN TOUR
MAKEUP ARTIST: LARKE - @MAKEUPBYLARKE / @ALOTTALARKE
JOHNNIE - INDUSTRY / STAGE
5 LOOK PACKAGE - COMMERCIAL / EDGY / GROWN TOUR / POP TOUR / WITCHY VIBES
MAKEUP ARTIST: CHRISTINA BARRAS - @CHRISTINABARRAS
RANDI - B/BOY / INDUSTRY
4 LOOK PACKAGE - COMMERCIAL / PERSONAL STYLE (B-BOY MASC) / GROWN TOUR / PERSONAL STYLE (B-BOY FEM)
MAKEUP ARTIST: LARKE - @MAKEUPBYLARKE / @ALOTTALARKE